English Information

中䑓なかだい瑞真ずいしん　（1912～2002）

千葉県に生まれ、13歳で東京の指物師竹内不山に師事し、茶道関係の木工技術を学ぶ。21歳で港区西久保巴町（現在の港区虎ノ門三丁目）に独立したのち、茶の湯の棚物などを制作。のちに桐材の刳物を意欲的に手がけ、昭和37（1962）年以降、日本伝統工芸展で受賞を重ね、日本工芸会理事及び木竹工部会長を歴任。同59年、重要無形文化財「木工芸」保持者（人間国宝）に認定され、３年後に港区政功労者表彰を受け、平成９（1997）年には港区名誉区民に選定された。

服部はっとり雅永まさなが　（1918～2005）

彫金師服部珉楽の子として、港区虎の門一丁目に生まれる。14歳の時父が急逝したため、高輪在住の飴谷有珉に師事し彫金を学ぶ。20歳で独立、各種工芸展において幅広い活動を続け、晩年に至るまで刀装金工の制作に従事した。伝統技法を応用した装身具のほか、銅板金に絵画的文様を打ち出す彫金額を制作した。文部大臣奨励賞など多数受賞。昭和62（1987）年に黄綬褒章を受章し、平成４（1992）年、港区指定無形文化財保持者に認定された。

［同時開催］
「未来に伝えよう！みなと遺産　新指定文化財展（令和２年度）」

令和２年度も新たに、港区の歴史にかかわる重要な建造物１件、歴史資料２件の計３件を文化財指定しましたので、ご紹介します。

建造物　　・旧畠山一清邸　翠庵・明月軒・沙那庵・浄楽亭・毘沙門堂（５棟）
歴史資料　・東禅寺事件銀製メダル及び江幡家文書（32点）
　　　　　・紅葉館資料（２点）

開催概要

開催日

令和３（2021）年１月16日（土）～３月21日（日）

■会期中休館日　１月21日（木）・２月18日（木）・３月18日（木）

会場

特別展示室

開館時間

午前９時～午後５時（土曜日のみ午後８時まで）
※入館受付は閉館の30分前まで。

観覧料（税込）

	大人		小・中・高校生
	一般	団体	一般	団体
企画展のみ	200円	160円	100円	80円
常設展のみ	300円	240円	100円	80円
セット券	400円	320円	100円	80円

※ 団体料金は10名以上で適用となります。
※ 区内在住・在学の小・中・高校生、区内在住の65歳以上の方、区内在住の障害者の方およびその介助者（１名）の観覧料は無料（証明ができるものをご持参ください）

関連プログラム

港区の文化財をめぐろう！

港区内の文化財をめぐり、港区の魅力を再発見します。今回は新たに指定された港区指定文化財に関連する「東禅寺」「紅葉館（現東京タワー）」に焦点をあてます。両文化財の簡単な解説、企画展「新指定文化財展」を観覧した後に、徒歩約１時間30分（予定）の文化財めぐりに出かけます。

• 日時：２月21日（日） 午後１時～４時
• 講師：当館学芸員
• 対象：小学３年生以上 ※小学生は保護者同伴
• 定員：15名
• 参加費：企画展観覧料が必要です
• 申込方法：１月５日（火）から先着順で電話申込受付
  　※詳しい申込方法はこちらからご確認ください。

オリジナル御朱印帳を作ろう

伝統的な製本である「折り本」の形態を用いて、オリジナルの御朱印帳を作ります。自分で作った御朱印帳を持って、港区内の文化財めぐりを楽しむきっかけにしてみませんか。

• 日時：１月30日（土）・２月13日（土） 午後１時30分～３時
• 対象：小学４年生以上
• 定員：20名
• 材料費：500円
• 申込方法：１月５日（火）から先着順で電話申込受付
  　※詳しい申込方法はこちらからご確認ください。

オリジナル消しゴムはんこ

企画展「匠の世界」の展示資料を基にした、装飾モチーフの型紙を使用し、好きな文字と組み合わせて、オリジナル消しゴムはんこを作成します。カードや和紙に添えて自分らしさを届けましょう。

• 日時：３月13日（土） 午後１時30分～３時30分
• 対象：小学４年生以上
• 定員：16名
• 材料費：500円
• 申込方法：２月20日（土）から先着順で電話申込受付
  　※詳しい申込方法はこちらからご確認ください。

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Minato City Local History Museum
Special Exhibition
The World of Japanese Master Craftsmanship
Woodworking artist Nakadai Zuishin (1912 - 2002)
and
Metal engraving artist Hattori Masanaga (1918 - 2005)

Saturday, January 16 - Sunday, March 21, 2021

Since ancient times, humans have been using the country's natural resources to craft, which has brought better living standards and cultural richness to Japan. The skills developed here have fostered a unique culture, and colored the history of each era. This craftsmanship has been developed through to modern times, and has become our traditional handcraft.
Minato City is no exception, and various local craftspeople have honed their skills and handed down their traditional handcraft through generations. At this exhibition, we introduce artwork from two of them, Nakadai Zuishin (1912 - 2002) and Hattori Masanaga (1918 - 2005). Nakadai Zuishin was a woodworking artist, the "Holder of an Important Intangible Cultural Property", a title more commonly known as living national treasure, and an honorary citizen of Minato City. Hattori Masanaga was a metal engraving artist and the "Holder of a Minato City Designated Intangible Cultural Asset".

Nakadai Zuishin (1912 - 2002)

Nakadai was born in Chiba Prefecture. At the age of 13, he became an apprentice to a cabinetry artist, Takeuchi Fuzan, and learned techniques of woodworking related to the Japanese tea ceremony. In 1933, at the age of 23, he started his own business at Nishikubo tomoe-cho (now Toranomon 3-chome), Minato City, and learned the rules and manners of the tea ceremony from Tanaka Sensho. In his earliest career, he made tea utensils such as shelves used to display the utensils during a tea ceremony, but aspiringly came to focus on kurimono, or hollowed out objects, afterwards. From 1962, he won awards at the Japan Traditional Kōgei -Art Crafts- Exhibition, and was appointed to the jury of the Exhibition, a director of Japan Kōgei Association, and Chairman of the subcommittee specialized in woodwork and bamboowork at Japan Kōgei Association. In 1984, he was recognized as the "Holder of an Important Intangible Cultural Property, Woodwork," a title more commonly known as living national treasure. Three years later, in 1987, he received the Minato City Government Meritorious Service Award, and was also given the Minato City Honorary Citizens' Award in 1997.

Hattori Masanaga (1918 - 2005)

Hattori was born in Toranomon 1-Chome, Minato City, as a son of Hattori Minraku, a metal engraving artist of the Yokoya school. As Minraku suddenly passed away in 1932, Hattori learned metal engraving from Ameya Yumin who lived in Takanawa. In 1938, he started his own business at the age of 20 and was active from 1950 onwards, participating in various exhibitions including the Sankikai Exhibition. Until his later years, he dedicated himself to working on samurai sword fittings, and accessories innovating on traditional techniques. Simultaneously, he created framed metal carving by embossing picturesque images in silver on copper sheets and established his own style, in which he pursued his own form of pure beauty. He won many awards including the "Minister of Education, Culture, Sports, Science and Technology Encouragement Award" and was given the "Yellow Ribbon Medal of Honor" from the Emperor in 1962. He was also recognized as the "Holder of a Minato City Designated Intangible Cultural Asset" in 1992.

Minato City Designated Cultural Assets Exhibition 2020
Preserving Minato Heritage for Future Generations

Structure : Former residence of Issei Hatakeyama
Historical materials : Tozenji Temple affair medal, Ebata family documents / Koyokan documents

Event outline

[Dates]　Saturday, January 16 - Sunday, March 21, 2021
■Closed: January 21[Thu] , February 18[Thu] and March 18[Thu]

[Venue] Special Exhibition Area

[Hours]
9am-5pm on Mon-Fri, Sun, and national holidays
9am-8pm on Sat
*The ticket booth is open daily from 9am-4:30pm and until 7:30pm on Saturdays.

[Ticket]
Adults(18yrs +) : 200yen
Students (Elementary, Junior high and High school) :100yen
*Fee Exempt : Students(aged 6-18), seniors aged(65yrs+) , and visitors with disabilities(+1 caregiver) who reside Minato City. Presentation of ID is required.

[Notice]
Due to on-going conditions surrounding COVID 19:
・Admission to the galleries may be restricted to maintain social distancing.
・The exhibition schedule is subject to change.